Screening

  • Image: Francis Alÿs, 'The Silence of Ani' (2015), film still. Courtesy the artist, David Zwirner Gallery, London and Jan Mot, Brussels

Francis Alÿs | The Silence of Ani

Francis Alÿs’s film The Silence of Ani (2015) was shot on location in an ancient Armenian city near the border with Turkey, where the quiet of a ruined city is broken by birdsong. In the breathtaking and uncanny scenery of the valley of Ani children play duduks (ancient double-reed woodwind flutes) in a game of hide and seek. Their calls become both a ballad for the future and an elegy to the past.

As the children approach one another, the mood darkens and the work speaks of the residue of trauma in a region remembering the genocide that took place a century ago. The film concludes as the children get tired and fall asleep on what is left of Ani, waiting to be woken anew.

The Silence of Ani was commissioned for the Istanbul Biennial in 2015 and shown in 2016 at Rotterdam Film Festival. It was produced in collaboration with Antonio Fernández Ros, Julien Devaux, Félix Blume and the teenagers of Kars, Turkey. It is presented at CAST courtesy the artist.

Francis Alÿs originally trained as an architect in Belgium, where he was born. He became an artist after moving to Mexico City in the mid-1980s and being confronted by the social unrest and inequalities of his adopted country. His projects include public actions, installations, video, paintings and drawings and he often starts with a simple action, either by himself or others, that can be documented in a number of ways.

The Silence of Ani is presented at CAST as part of a programme of international artists’ films relating to landscape and portraiture. ‘Echoes and Returns’ looks back to moving image presentations at CAST in the last year, providing opportunities to see work by some of the artists shown in Groundwork and as part of the CAST Film Club series. Film installations by Melanie Smith, Francis Alÿs and Manon de Boer will each be shown for three weeks in CAST’s black box projection space.

This programme is made possible thanks to the generous support of Newlyn Art Gallery & The Exchange